They looked at one another, and then beyond the sheltering evergreens and the wide lawns to where the great square house seemed to be listening. “He had some shares in it himself, hadn’t he?” Joan asked.!

Joan thanked him. As he held the door open for her their hands accidentally touched. Joan wished him good-night and went up the stairs. There was no light in her room: only the faint reflection of the street lamp outside. To reject it would be to dishonour it.

“So long as I live,” he answered. Phillips was waiting for her in the vestibule. She had forgotten him; but now she felt glad of his humble request to be allowed to see her home. It would have been such a big drop from her crowded hour of triumph to the long lonely cab ride and the solitude of the hotel. She resolved to be gracious, feeling a little sorry for her neglect of him—but reflecting with satisfaction that he had probably been watching her the whole time. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.